It will be reintroducing one of modern techno’s founding documents to a scene still reckoning with Underworld’s influence.įor today’s electronic music fans, reared on a steady drip of sensory-overloaded festivals and mutating subgenres that feel dated as soon as they’re named, Underworld has enjoyed a rare permanence. When the band brings its “Dubnobasswithmyheadman” tour to the Hollywood Bowl on Sunday, it won’t be as a ‘90s nostalgia act on the reunion circuit. On songs like “Dirty Epic,” he chanted lyrics that still felt like missives from the vanguard of digital decadence and isolation: “The light blinds my eyes and I feel dirty / the light blinds my eyes and I feel so shaken in my faith.” While his bandmate and production partner Rick Smith wrangled a bank of laptops and mixing equipment, the 58-year-old Hyde prowled the stage like Mick Jagger if Jagger had just seen a ghost. I never get nervous, but looking down there I did think, ‘Is this crazy?’” “We’d played this set to our own crowds before, but never at a festival. “Our hotel room overlooked the festival stages, and we were watching it and thought, ‘Wow, how is this going to go down?’” said Hyde, the band’s singer and co-producer.
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